Hambre, as the title suggests, is a work of “ primary needs”; man-beast lies in wait hidden from the more and more refined overstructures of a social context which looks kindly permessive but, on the contrary, it’s not able to recognize and admit him in his innermost essence. Therefore the subject is distorted into a kind of complaisant actor, who is obliged to play in a circus where a hungry audience, eager of emotions, will decree his triumph or his decadence.
Anyway, while the mole keeps on digging, the “actor” gets rid of his own skillfull manipulators , first of all from himself. The mask falls down and a wishful animal-nature comes out, being to fickle to fix steadily on a single object; it’s the apotheosis of senses, aimless instinct free from prejudices.
It’s useless to deny or to censure, the beast keeps on living and eating….
Anyway, while the mole keeps on digging, the “actor” gets rid of his own skillfull manipulators , first of all from himself. The mask falls down and a wishful animal-nature comes out, being to fickle to fix steadily on a single object; it’s the apotheosis of senses, aimless instinct free from prejudices.
It’s useless to deny or to censure, the beast keeps on living and eating….
idea, directing and choreography : Nicola Laudati
- creayed with Simona Bertozzi e la compagnia
- video art : Nicolas Hermansen
- lightsi: Marco Rebecchi
- costumes: Compagnia Laudati, sartoria teatrale Alberani
- text byJenny Joseph, Maxine Kumin, Stefano Benni, Manuel Vàzquez Montalbàn
- music by: various
- creayed with Simona Bertozzi e la compagnia
- video art : Nicolas Hermansen
- lightsi: Marco Rebecchi
- costumes: Compagnia Laudati, sartoria teatrale Alberani
- text byJenny Joseph, Maxine Kumin, Stefano Benni, Manuel Vàzquez Montalbàn
- music by: various
